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      Á¦Ç° »ç¾ç
      [European Concert 1991]
      - È­¸éºñÀ² : 4:3 Full Screen
      - À½ Çâ : µ¹ºñ µðÁöÅÐ 5.1, PCM Stereo, dts Surround
      - Áö¿ªÄÚµå : Áö¿ª 3 ¿ì¸® ³ª¶ó¸¦ Æ÷ÇÔÇÑ µ¿³²¾Æ Áö¿ª Àç»ý°¡´É
      - ³ìÈ­¹æ½Ä : Single Side Dual Layer(Áß°£¿¡ ²÷±â´Â Çö»óÀÌ ¹ß»ýÇÕ´Ï´Ù. Á¦ÀÛ»óÀÇ ¿À·ù°¡ ¾Æ´Õ´Ï´Ù)

      [European Concert 1992]
      - È­¸éºñÀ² : 4:3 Full Screen
      - À½ Çâ : µ¹ºñ µðÁöÅÐ 5.1, PCM Stereo, dts Surround
      - Áö¿ªÄÚµå : Áö¿ª 3 ¿ì¸® ³ª¶ó¸¦ Æ÷ÇÔÇÑ µ¿³²¾Æ Áö¿ª Àç»ý°¡´É
      - ³ìÈ­¹æ½Ä : Single Side Dual Layer (Áß°£¿¡ ²÷±â´Â Çö»óÀÌ ¹ß»ýÇÕ´Ï´Ù. Á¦ÀÛ»óÀÇ ¿À·ù°¡ ¾Æ´Õ´Ï´Ù)

      [European Concert 1993]
      - È­¸éºñÀ² : 4:3 Full Screen
      - À½ Çâ : µ¹ºñ µðÁöÅÐ 5.1, PCM Stereo, dts Surround
      - Áö¿ªÄÚµå : Áö¿ª 3 ¿ì¸® ³ª¶ó¸¦ Æ÷ÇÔÇÑ µ¿³²¾Æ Áö¿ª Àç»ý°¡´É
      - ³ìÈ­¹æ½Ä : Single Side Dual Layer (Áß°£¿¡ ²÷±â´Â Çö»óÀÌ ¹ß»ýÇÕ´Ï´Ù. Á¦ÀÛ»óÀÇ ¿À·ù°¡ ¾Æ´Õ´Ï´Ù)

      [European Concert 1994]
      - È­¸éºñÀ² : 4:3 Full Screen
      - À½ Çâ : µ¹ºñ µðÁöÅÐ 5.1, PCM Stereo, dts
      - Áö¿ªÄÚµå : Áö¿ª 3 ¿ì¸® ³ª¶ó¸¦ Æ÷ÇÔÇÑ µ¿³²¾Æ Áö¿ª Àç»ý°¡´É
      - ³ìÈ­¹æ½Ä : Single Side Dual Layer (Áß°£¿¡ ²÷±â´Â Çö»óÀÌ ¹ß»ýÇÕ´Ï´Ù. Á¦ÀÛ»óÀÇ ¿À·ù°¡ ¾Æ´Õ´Ï´Ù)

      [European Concert 1995]
      - È­¸éºñÀ² : 16:9 Anamorphic ¿ÍÀÌµå ½ºÅ©¸°
      - À½ Çâ : µ¹ºñ µðÁöÅÐ 5.1, PCM Stereo, dts Surround
      - Áö¿ªÄÚµå : Áö¿ª 3 ¿ì¸® ³ª¶ó¸¦ Æ÷ÇÔÇÑ µ¿³²¾Æ Áö¿ª Àç»ý°¡´É
      - ³ìÈ­¹æ½Ä : Single Side Dual Layer (Áß°£¿¡ ²÷±â´Â Çö»óÀÌ ¹ß»ýÇÕ´Ï´Ù. Á¦ÀÛ»óÀÇ ¿À·ù°¡ ¾Æ´Õ´Ï´Ù)

      [European Concert 1996]
      - È­¸éºñÀ² : 16:9 Anamorphic ¿ÍÀÌµå ½ºÅ©¸°
      - À½ Çâ : µ¹ºñ µðÁöÅÐ 5.1, PCM Stereo, dts Surround
      - Áö¿ªÄÚµå : Áö¿ª 3 ¿ì¸® ³ª¶ó¸¦ Æ÷ÇÔÇÑ µ¿³²¾Æ Áö¿ª Àç»ý°¡´É
      - ³ìÈ­¹æ½Ä : Single Side Dual Layer (Áß°£¿¡ ²÷±â´Â Çö»óÀÌ ¹ß»ýÇÕ´Ï´Ù. Á¦ÀÛ»óÀÇ ¿À·ù°¡ ¾Æ´Õ´Ï´Ù)

      [European Concert 1997]
      - È­¸éºñÀ² : 16:9 Anamorphic ¿ÍÀÌµå ½ºÅ©¸°
      - À½ Çâ : µ¹ºñ µðÁöÅÐ 5.1, PCM Stereo, dts Surround
      - Áö¿ªÄÚµå : Áö¿ª 3 ¿ì¸® ³ª¶ó¸¦ Æ÷ÇÔÇÑ µ¿³²¾Æ Áö¿ª Àç»ý°¡´É
      - ³ìÈ­¹æ½Ä : Single Side Dual Layer (Áß°£¿¡ ²÷±â´Â Çö»óÀÌ ¹ß»ýÇÕ´Ï´Ù. Á¦ÀÛ»óÀÇ ¿À·ù°¡ ¾Æ´Õ´Ï´Ù)

      [European Concert 1998]
      - È­¸éºñÀ² : 16:9 Anamorphic ¿ÍÀÌµå ½ºÅ©¸°
      - À½ Çâ : µ¹ºñ µðÁöÅÐ 5.1, PCM Stereo, dts
      - Áö¿ªÄÚµå : Áö¿ª 3 ¿ì¸® ³ª¶ó¸¦ Æ÷ÇÔÇÑ µ¿³²¾Æ Áö¿ª Àç»ý°¡´É
      - ³ìÈ­¹æ½Ä : Single Side Dual Layer (Áß°£¿¡ ²÷±â´Â Çö»óÀÌ ¹ß»ýÇÕ´Ï´Ù. Á¦ÀÛ»óÀÇ ¿À·ù°¡ ¾Æ´Õ´Ï´Ù

      [European Concert 1999]
      - È­¸éºñÀ² : 16:9 Anamorphic ¿ÍÀÌµå ½ºÅ©¸°
      - À½ Çâ : µ¹ºñ µðÁöÅÐ 5.1, PCM Stereo, dts
      - Áö¿ªÄÚµå : Áö¿ª 3 ¿ì¸® ³ª¶ó¸¦ Æ÷ÇÔÇÑ µ¿³²¾Æ Áö¿ª Àç»ý°¡´É
      - ³ìÈ­¹æ½Ä : Single Side Dual Layer (Áß°£¿¡ ²÷±â´Â Çö»óÀÌ ¹ß»ýÇÕ´Ï´Ù. Á¦ÀÛ»óÀÇ ¿À·ù°¡ ¾Æ´Õ´Ï´Ù)

      [European Concert 2000]
      - È­¸éºñÀ² : 16:9 Anamorphic Widescreen
      - ¿Àµð¿À : DTS, DD 5.1, PCM Stereo
      - Áö¿ªÄÚµå : 3 NTSC
      - ³ìÈ­¹æ½Ä : Single Side Dual Layer(Áß°£¿¡ ²÷±â´Â Çö»óÀÌ ¹ß»ýÇÕ´Ï´Ù. Á¦ÀÛ»óÀÇ ¿À·ù°¡ ¾Æ´Õ´Ï´Ù)

      [European Concert 2001]
      - È­¸éºñÀ² : Anamorphic
      - ¿À µð ¿À : DTS, DD 5.1, Stereo
      - Áö¿ªÄÚµå : 3
      - ³ìÈ­¹æ½Ä : Single Side Dual Layer(Áß°£¿¡ ²÷±â´Â Çö»óÀÌ ¹ß»ýÇÕ´Ï´Ù. Á¦ÀÛ»óÀÇ ¿À·ù°¡ ¾Æ´Õ´Ï´Ù)

      [European Concert 2002]
      - È­¸éºñÀ² : 16:9 Anamorphic Widescreen
      - ¿Àµð¿À : DTS, DD 5.1, PCM Stereo
      - Áö¿ªÄÚµå : 3 NTSC
      - ³ìÈ­¹æ½Ä : Single Side Dual Layer(Áß°£¿¡ ²÷±â´Â Çö»óÀÌ ¹ß»ýÇÕ´Ï´Ù. Á¦ÀÛ»óÀÇ ¿À·ù°¡ ¾Æ´Õ´Ï´Ù)

      [European Concert 2003]
      - È­¸éºñÀ² : 16:9 Anamorphic Widescreen
      - ¿Àµð¿À : DTS, DD 5.1, DD Stereo
      - Áö¿ªÄÚµå : 3
      - ³ìÈ­¹æ½Ä : Single Side Dual Layer(Áß°£¿¡ ²÷±â´Â Çö»óÀÌ ¹ß»ýÇÕ´Ï´Ù. Á¦ÀÛ»óÀÇ ¿À·ù°¡ ¾Æ´Õ´Ï´Ù)

      [European Concert 2004]
      - È­¸éºñÀ² : 16:9 Anamorphic Wide Screen
      - ¿Àµð¿À : DTS, DD 5.1, PCM Stereo
      - Áö¿ªÄÚµå : 3
      - ³ìÈ­¹æ½Ä : Single Side Dual Layer(Áß°£¿¡ ²÷±â´Â Çö»óÀÌ ¹ß»ýÇÕ´Ï´Ù. Á¦ÀÛ»óÀÇ ¿À·ù°¡ ¾Æ´Õ´Ï´Ù)

      [Berliner Philharmoniker in Japan 1994]
      - È­¸é ºñÀ² : 16:9 Anamorphic Wide Screen
      - À½ Çâ : µ¹ºñ µðÁöÅÐ 5.1, PCM Stereo, dts Surround
      - Áö¿ªÄÚµå : Áö¿ª 3 ¿ì¸® ³ª¶ó¸¦ Æ÷ÇÔÇÑ µ¿³²¾Æ Áö¿ª Àç»ý°¡´É
      - ³ìÈ­¹æ½Ä : Single Side Dual Layer (Áß°£¿¡ ²÷±â´Â Çö»óÀÌ ¹ß»ýÇÕ´Ï´Ù. Á¦ÀÛ»óÀÇ ¿À·ù°¡ ¾Æ´Õ´Ï´Ù)
      ÁٰŸ®
      [European Concert 1991]
      º£¸¦¸° ÇÊÀÇ 1882³â 5¿ù 1ÀÏ Ã¢¸³ÀÏÀ» ±â³äÇÏ¿© ¸Å ÇØ 5¿ù 1ÀÏ¿¡ ¿­¸®´Â Á¤±â ¿¬ÁÖȸÀÎ À¯·ÎÇÇ¾È Äܼ­Æ®´Â ¸Å Çظ¶´Ù À¯·´ °¢Áö¿¡¼­ ¹®È­ÀûÀ¸·Î Áß¿äÇÑ ÀÇÀǸ¦ °®´Â µµ½Ã°¡ °³ÃÖÁö·Î ¼±Á¤µÈ´Ù. º£¸¦¸° ÇÊÀÇ Ã¹ À¯·ÎÇÇ¾È Äܼ­Æ®´Â 1991³â 5¿ù 1ÀÏ Ã¼ÄÚ ÇÁ¶óÇÏÀÇ ½º¸ÞŸ³ª Ȧ¿¡¼­ Ŭ¶ó¿ìµð¿À ¾Æ¹Ùµµ(Claudio Abbado)ÀÇ ÁöÈÖ ¾Æ·¡ ¿­·ÈÀ¸¸ç ¼ÒÇÁ¶ó³ë, ½¦¸± ½ºÅõ´õ(Cheryl Studer)¿Í ÇǾƴϽºÆ®, ºê·ç³ë Ä«´Ï³ë(Bruno Canino)µîÀÇ ¼Ö·ÎÀ̽ºÆ®µéÀÌ Ã⿬ÇÑ´Ù. À̹ø Äܼ­Æ®¿¡¼­´Â º¼ÇÁ°­ ¾Æ¸¶µ¥¿ì½º ¸ðÂ¥¸£Æ®ÀÇ 'µ·Áö¿À¹Ý´Ï', '±³Çâ°î29¹ø, 35¹ø'À» ¿¬ÁÖÇÑ´Ù

      (ÁٰŸ®)
      1. OVERTURE TO DON GIOVANNI, KV527 (WOLFGANG AMADEUS MOZART)
      2. "CRUDELE? AH NO! GIAMMAI, MIO BEN!" DONNA ANNA`S ARIA FROM DON GIOVANNI, KV527
      3. SYMPHONY NO.29 IN A MAJOR, KV201
      4. "CH`IO MI SCORDI DI TE" FROM SCENE & RONDO, KV505
      5. SYMPHONY NO.35 IN D MAJOR, KV385 "HAFFNER"

      [European Concert 1992]
      ¸¶µå¸®µå ºÏ¼­ÂÊ¿¡ ÀÖ´Â »ó ·Î·¹Á¶ µ¥ ¿¤ ¿¡½ºÄÚ¸®¾Ë ¿Õ¸³ ¼öµµ¿ø¿¡¼­ °³ÃÖµÈ 1992³â °ø¿¬. ¿©·¯ ¿ÀÄɽºÆ®¶óÀÇ ÁöÈÖ¸¦ ¿ªÀÓÇϸç Çö´ë ÁöÈÖÀÚµé Áß °¡Àå ¼¾½ÃƼºêÇÑ ÁöÈÖÀÚ¶ó°í Ī¼ÛµÇ´Â ´Ù´Ï¿¤ ¹Ù·»º¸ÀÓ (Daniel Barenboim)ÀÌ ÁöÈÖ¸¦ ¸Ã°í ¼¼°è 3´ë Å×³Ê Áß ÇѸíÀ¸·Î ±¹³»¿¡µµ ¸¹Àº ÆÒÀ» È®º¸ÇÏ°í ÀÖ´Â Çöó½Ãµµ µµ¹Ö°í (Placido Domingo)°¡ Ã⿬ÇÏ¿© ¾Æ¸§´Ù¿î ¸ñ¼Ò¸®¸¦ µé·ÁÁÖ°í ÀÖ´Ù.

      (ÁٰŸ®)
      1. LA FORZA DEL DESTINO - GIUSEPPE VERDI "OVERTURE"
      2. DON CARLO - GIUSEPPE VERDI CARLO'S RECITATIVE AND ARIA, "IO H'HO PERDUTA"
      3. LA DAMNATION DE FAUST - HECTOR BERLIOZ RAKOCZY-MARSCH "INVOCATION A LA NATURE"
      4. SYMPHONY NO. 8 IN B MINOR ("UNFINISHED") - FRANZ SCHUBERT ALLEGRO MODERATO ANDANTE CON MOTO
      5. DIE MEISTERSINGER VON NURNBERG - RICHARD WAGNER PRELUDE TO ACT I
      6.WALKURE - RICHARD WAGNER SIGMUND`S ARIA, "WINTERSTURME WICHEN DEM WONNEMOND"
      7.GOTTERDAMMERUNG - RICHARD WAGNER TAGESGRAUEN, SONNENAUFGANG, VOLLER TAG, SIEGFRIEDS RHEINFAHRT

      [European Concert 1993]
      1993³â, ·±´ø ·Î¿­ ¾Ù¹öƮȦ¿¡¼­ÀÇ À¯·ÎÇÇ¾È Äܼ­Æ®´Â 20¼¼±â ÃÖ°íÀÇ ÁöÈÖÀÚ Áß Çϳª·Î Áö¸ñµÇ´Â º£¸£³ª¸£Æ® ÇÏÀÌÆÃÅ©(Bernard Haitink)°¡ ÁöÈÖÇÏ¿© ¿¹ÀÇ ±× µû¶æÇÑ ¿¬ÁÖ¸¦ ¼±»çÇϸç, ¸í ¹ÙÀ̿ø®´Ï½ºÆ®, ÇÁ¶ûÅ© ÇÇÅÍ Ä¡¸Ó¸¸(Frank peter Zimmemann)ÀÌ Ã⿬ÇÏ¿© ¸ðÂ÷¸£Æ®ÀÇ ¹ÙÀ̿ø° ÇùÁÖ°î Á¦3¹øÀ» µé·ÁÁØ´Ù.

      (ÁٰŸ®)
      1. FANTASY OVERTURE FROM ROMEO AND JULIET (PETER ILYICH TCHAIKOVSKY)
      2.CONCERTO NO.3 IN G MAJOR FOR VIOLIN AND ORCHESTRA, KV216: ALLEGRO-ADAGIO-RONDEAU(ALLEGRO) (WOLFGANG AMADEUS MOZART)
      3. THE RITE OF THE SPRING (SCENES OF PAGAN RUSSIA IN TWO PARTS) (IGOR STRAVINSKY)

      [European Concert 1994]
      1994³âÀÇ °ø¿¬Àº ¿À·£ À½¾ÇÀû ÀüÅëÀ» ÀÚ¶ûÇÏ´Â µ¶ÀÏ ¸¶ÀÌ´×°Õ ±¹¸³±ØÀå¿¡¼­ ¿­·ÈÀ¸¸ç, º£¸¦¸° ÇÊÀÇ Ã¢¸³ÀÏ »Ó ¾Æ´Ï¶ó ù »óÀÓ ÁöÈÖÀÚ¿´´ø Çѽº Æù ºâ·Î¿ì(Hans Von Bulow) ¼­°Å 100ÁÖ³âÀ» ±â¸®´Â Ã߸ð°ø¿¬À» °âÇÏ°í ÀÖ´Ù. Ŭ¶ó¿ìµð¿À ¾Æ¹Ùµµ(Claudio Abbado)°¡ ÁöÈÖÇÏ¸ç ¸í ÁöÈÖÀÚÀÌÀÚ ÇǾƴϽºÆ®À̱⵵ ÇÑ ´Ù´Ï¿¤ ¹Ù·»º¸ÀÓ(Daniel Barenboim)ÀÌ ¼Ö·ÎÀ̽ºÆ®·Î Ã⿬ÇÏ¿© º£Å亥ÀÇ ÇǾƳë ÇùÁÖ°î 5¹ø "ȲÁ¦"¸¦ Çù¿¬ÇÑ´Ù. ƯÈ÷ ÀÌ Äܼ­Æ®¸¦ º¸±â À§ÇØ ¸¹Àº »ç¶÷µéÀÌ ÀÔÀå±ÇÀ» ½ÅûÇÏ¿´±â ¶§¹®¿¡ Ãß÷¿¡ ÀÇÇÏ¿© 2000¸íÀ» ¼±¹ßÇß´Ù.

      (ÁٰŸ®)
      1. CONCERT FOR PIANO AND ORLCHESTRA NO.5 IN E FLAT MAJOR OP.73 (LUDWIG VAN BEETHOVEN)
      2. SYMPHONY NO.2 IN D MAJOR OP.73 (JOHANNES BRAHMS)

      [European Concert 1995]
      1995³â¿¡´Â ÀÌÅ»¸®¾Æ ÇÇ·»Ã¼ÀÇ º£Å°¿À ±Ã¿¡¼­ ¿­·ÈÀ¸¸ç ÁÖºó ¸ÞŸ(Zubin Mehta)°¡ ÁöÈÖ¸¦ ¸Ã°í, ¹ÙÀ̿ø®´Ï½ºÆ® À念ÁÖ(Sarah Chang)°¡ Ã⿬ÇÏ¿© ÇÇ°¡´Ï´Ï(paganini)ÀÇ ¹ÙÀ̿ø° ÇùÁÖ°î Á¦ 1¹ø Á¦ 1¾ÇÀåÀ» ¿¬ÁÖÇÑ´Ù.

      (ÁٰŸ®)
      1. FIDELIO OVERTURE, OP.72B (LUDWIG VAN BEETHOVEN)
      2. ORCHESTRA VARIATIONS ON A THEME BY PAGANINI OP.26 (BORIS BLACHER)
      3. FROM THE VIOLIN CONCERTO NO.1 IN D MAJOR OP.6 (NICOLO PAGANINI)
      4. PETRUSHKA: BURLESQUE IN FOUR SCENES (IGOR STRAVINSKY)
      5. SLAVONIC DANCE NO.8 IN G MINOR (ANTONIN DVORAK) Ludwig Van Beethoven

      [European Concert 1996]
      ¼§Æ® ÆäÅ×½ººÎ¸£Å©ÀÇ ¸¶¸°½ºÅ° ±ØÀå¿¡¼­ °³ÃÖµÈ 1996³â °ø¿¬. 1991³â, 1994³â ÁöÈÖ¸¦ ¸Ã¾Ò´ø Ŭ¶ó¿ìµð¿À ¾Æ¹Ùµµ°¡ ¼¼ ¹ø°·Î ÁöÈÖ¸¦ ¸Ã¾Æ ±×ÀÇ Àα⸦ ½Ç°¨ÇÏ°Ô ÇÑ´Ù. ¹Ù¶óÅæ ¾Æ³ªÅ縮 ÄÚü¸£°¡ (Anadoly Kotscherga)¿Í ¹ÙÀ̿ø®´Ï½ºÆ® Äݸ®¾ß ºí¸®Çã(Kolja Blacher)°¡ ¼Ö·ÎÀ̽ºÆ®·Î Ã⿬ÇÑ´Ù.

      (ÁٰŸ®)
      1. EXCERPTS FROM ROMEO AND JULIET (SERGEY PROKOFIEV)
      2. ALEKO`S CAVATINA FROM ALEKO (SERGEI RACHMANINOV)
      3. ROMANCE FOR VIOLIN AND ORCHESTRA, NO.1 IN G MAJOR, OP.40 (LUDWIG VAN BEETHOVEN)
      4. ROMANCE FOR VIOLIN AND ORCHESTRA, NO.2 IN F MAJOR, OP.50
      5. SYMPHONY NO.7 IN A MAJOR, OP.92
      6. WALTZ OF THE FLOWERS FROM THE NUTCRACKER (PETER ILYICH TCHAIKOVSKY)

      [European Concert 1997]
      Æĸ® º£¸£»çÀÌÀ¯ ±ÃÀÇ ·Î¿­ ¿ÀÆä¶ó¿¡¼­ ¿­¸° 1997³âÀÇ À¯·ÎÇÇ¾È Äܼ­Æ®¿¡¼­´Â ¸íÁöÈÖÀÚÀÌÀÚ À̸§³­ ÇǾƴϽºÆ®À̱⵵ ÇÑ ´Ù´Ï¿¤ ¹Ù·»º¸ÀÓ(Daniel Barenboim)ÀÌ ¸ðÂ÷¸£Æ®ÀÇ ÇǾƳë ÇùÁÖ°î Á¦ 13¹øÀ» ¿¬ÁÖÇÑ´Ù. ƯÈ÷ 7¼¼ ¶§ µ¥ºß ¹«´ë¿¡¼­ 7¹øÀÇ ¾ÓÄÝÀ» ¹Þ¾ÒÀ» ¸¸Å­ ÇǾƳ뿡¼­µµ ±× Ź¿ùÇÑ Àç´ÉÀ» ÀÎÁ¤ ¹ÞÀº ´ÙÀÌ¿¤ ¹Ù·»º¸ÀÓ (Daniel Barenboim)ÀÇ ÇÇ¾Æ³ë ¼Ö·Î¸¦ º¼¼öÀÖ´Ù.

      (ÁٰŸ®)
      1. LE TOMBEAU DE COUPERIN (MAURICE RAVEL)
      2. CONCERTO FOR PIANO IN C MAJOR, KV415 (WOLFGANG AMADEUS MOZART)
      3. SYMPHONY NO.3 IN E FLAT MAJOR, OP.55 `EROICA` (LUDWIG VAN BEETHOVEN)

      [European Concert 1998]
      1998³â °ø¿¬ÀÌ ¿­¸°°÷Àº ½º¿þµ§ÀÇ ½ºÅåȦ¸§À¸·Î ¹Ù»ç ¹Ú¹°°ü¿¡¼­ Ŭ¶ó¿ìµð ¾Æ¹Ùµµ(Claudio Abbado)ÀÇ ÁöÈÖ ÇÏ¿¡ ½º¿þµ§ ¶óµð¿À ÇÕâ´Ü°ú ¿¡¸¯ ¿¡¸¯½¼ è¹ö ÇÕâ´Ü°ú Çù¿¬ÇÏ¿´´Ù.

      (ÁٰŸ®)
      1. WAGNER - OVERTURE FROM "DER FLIEGENDE HOLLANDER"
      2. TCHAIKOVSKY - SYMPHONIC FANTASIA `THE TEMPEST` OP.18
      3. CLAUDE DEBUSSY - TROIS NOCTURNES
      4. GUISEPPE VERDI - QUATTRO PEZZI SACRI

      [European Concert 1999]
      Æú¶õµåÀÇ Å©¶óÄíÇÁ(Krakow)´Â À¯·´¿¡¼­µµ À¯¸íÇÑ ¿¹¼ú°ú Á¾±³ÀÇ µµ½ÃÀÌ´Ù. »õ õ³âÀ» ¸ÂÀÌÇÏ¿© À¯·´ÀÇ ¹®È­ ¼öµµ·Î ÁöÁ¤µÈ ±â³äÀ¸·Î 1999³â º£¸¦¸° ÇÊÀÇ À¯·ÎÇÇ¾È Äܼ­Æ®´Â Å©¶óÄíÇÁÀÇ ¼º¸ð ¸¶¸®¾Æ ¼º´ç(The Church of Our Lady)¿¡¼­ ¿­·È´Ù. 1993³â ·Î¾â ¾Ë¹öÆ® Ȧ °ø¿¬¿¡¼­ ÁöÈÖ¸¦ ¸Ã¾Ò´ø º£¸£³ª¸£Æ® ÇÏÀÌÆÃÅ©(Bernard Haitnk)ÀÇ ÁöÈÖ ÇÏ¿¡ ¼îÆØÀÇ ÇǾƳë ÇùÁÖ°î 2¹ø°ú ½´¸¸ÀÇ ±³Çâ°î 1¹øÀÌ ¿¬ÁÖ µÇ¾úÀ¸¸ç Å©¸®½ºÆ¾ ½¦ÆÛ(Christine Scahfer)¿Í ¿¡¸¶´º¿¤ ¾×½º(Emanuel Ax)°¡ ¼Ö·ÎÀ̽ºÆ®·Î Ã⿬ÇÏ´Ù.

      (ÁٰŸ®)
      1. EXSULTATE, JUBILATE KV165 (WOLFGANG AMADEUS MOZART)
      2. EXSULTATE, JUBILATE-FULGET AMICA DIES-TU VIRGINEM CORONA-ALLELUJA
      3. ET IN CARNATUS EST. CREDO FROM MASS IN C MINOR KV427
      4. CONCERTO FOR PIANO AND ORCHESTRA NO.2 OP.21 (FREDERIC CHOPIN)
      5. SYMPHONY NO.1 OP.38 IN B FALT MAJOR (ROBERT SCHUMANN)

      [European Concert 2000]
      2000³â °ø¿¬Àº º£¸¦¸°ÀÇ ÇÊÇϸð´Ï¿¡¼­ ¿­·ÈÀ¸¸ç, Ŭ¶ó¿ìµð¿À ¾Æ¹Ù´ÙÀÇ ÁöÈÖÇÏ¿¡ º£Å亥 ÇǾƳë ÇùÁÖ°î 2¹ø, ±³Çâ°î 9¹ø "ÇÕâ" ÀÌ ¿¬ÁÖ µÇ¾úÀ¸¸ç, ÇǾƴϽºÆ® ¹ÌÇÏÀÏ Ç÷¹Æ®³×ÇÁ°¡ Ã⿬ÇÑ´Ù.

      (ÁٰŸ®)
      1. PIANO CONCERTO NO.2 IN B-FLAT MAJOR, OP.19 (LUDWIG VAN BEETHOVEN)
      2. SYMPHONY NO.9 IN D MINOR, OP.125 "CHORAL"

      [European Concert 2001]
      2001³â °ø¿¬Àº À̽ºÅººÒ¿¡¼­ °¡Àå ¿À·£µÈ ¿ª»ç¸¦ Áö´Ñ ±³È¸ÀÎ ¼º ¾ÆÀ̸° ±³È¸¿¡¼­ ¸¶¸®½º ¾á¼Õ½ºÀÇ ÁöÈÖ ÇÏ¿¡ ¿­·ÈÀ¸¸ç ¼Ö·Î À̽ºÆ®·Î´Â ¿¥¸¶´º¿¤ ÆÄ¿ìµå°¡ ³ª¿Í ÇÃ·í¿¬ÁÖ¸¦ µé·ÁÁØ´Ù. ¼ö·Ï°îÀ¸·Î´Â ÇÏÀ̵ç "³î¶÷" ±³Çâ°î, ¸ðÂ÷¸£Æ® Ç÷í ÇùÁÖ°î µîÀÌ ÀÖ´Ù.

      (ÁٰŸ®)
      1. SYMPHONY NO.94 IN G MAJOR, WURPRISE: I. ADAGIO/ VIVACE ASSAIY (JOSEPH HAYDN)
      2. SYMPHONY NO.94 IN G MAJOR, WURPRISE: II. ANDANTE
      3. SYMPHONY NO.94 IN G MAJOR, WURPRISE: III. MENUET: ALLEGRO MOLTI
      4. SYMPHONY NO.94 IN G MAJOR, WURPRISE: FINALE: ALLEGRO MOTL
      5. SYMPHONY FOR FLUTE AND ORCHESTRA IN D MAJOR, K.314: I. ALLEGRO APERTO (WOLFGANG AMADEUS MOZART)
      6. SYMPHONY FOR FLUTE AND ORCHESTRA IN D MAJOR, K.314: II. ADAGIO MA NON TROPPO
      7. SYMPHONY FOR FLUTE AND ORCHESTRA IN D MAJOR, K.314: III. RONDEAU: ALLEGRO
      8. SYMPHNIE FANTAZIQE, OP.14: I. REVERIES-PASSIONS (HECTOR BERLIOZ)
      9. SYMPHNIE FANTAZIQE, OP.14: II. UN BAD-VALS
      10. SYMPHNIE FANTAZIQE, OP.14: III. SCENE AUX CHAMPS
      11. SYMPHNIE FANTAZIQE, OP.14: IV. MARCHE AU SUPPLICE
      12. SYMPHNIE FANTAZIQE, OP.14: V. SONGS D`UNE NUIT DU SABBAT

      [European Concert 2002]
      2002³â °ø¿¬Àº ÀÌÅ»¸®¾Æ ½ÃÄ¥¸®ÀÇ ÆÈ·¹¸£¸ð ¸¶½Ã¸ð ±ØÀå¿¡¼­ ¿­·ÈÀ¸¸ç, Ŭ¶ó¿ìµð¿À ¾Æ¹Ùµµ ÁöÈÖ, ¹ÙÀ̿ø®´Ï½ºÆ® ±æ »þÇÔÀÌ º£Å亥 "¿¡±×¸óÆ®" ¼­°î, µåº¸¸£ÀÛ "½Å¼¼°è" ±³Çâ°î µîÀ» ¿¬ÁÖÇÑ´Ù.

      (ÁٰŸ®)
      1. EGMONT OVERTURE (LUDWIG VAN BEETHOVEN)
      2. CONCERTO FOR VIOLIN IN D MAJOR, OP.77 (JOHANNES BRAHMS)
      3. SYMPHONY NO.9 OP.95, FROM THE NEW WORLD (ANTONIN DVORAK)
      4. OVERTURE FROM I VESPRI SICILIANI (GIUSEPPE VERDI)

      [European Concert 2003]
      2003³â °ø¿¬Àº Æ÷¸£Åõ°¥ÀÇ ¼öµµ, ¸®½ºº»¿¡ À§Ä¡ÇÑ ¿ª»ç ±íÀº Á¦·Î´Ï¸ð½º ¼öµµ¿ø¿¡¼­ ÇÇ¿¡¸£ ºÒ·¹ÁîÀÇ ÁöÈÖ·Î ¿­·ÈÀ¸¸ç, ¿ª½Ã Æ÷¸£Åõ°¥ Ãâ½ÅÀÇ ÇǾƴϽºÆ® ¸¶¸®¾Æ Á¶¾Ó ÇÇ·¹½º°¡ Çù¿¬ÇÏ°í ÀÖ´Ù.

      (ÁٰŸ®)
      1. Le Tombeau Couperin : PRELUDE (MAURICE RAVEL)
      2. Le Tombeau Couperin : FORLANE
      3. Le Tombeau Couperin : MENUET
      4. Le Tombeau Couperin : RIGAUDON
      5. Piano Concerto no.20, KV 466 : ALLEGRO (WOLFGANG AMADEUS MOZART)
      6. Piano Concerto no.20, KV 466 : ROMANCE
      7. Piano Concerto no.20, KV 466 : RONDO : ALLEGRO ASSAI
      8. Concerto for Orchestra : INTRODUZIONE; ANDANTE NON TROPPO - ALLEGRO VIVACE (BELA BARTOK)
      9. Concerto for Orchestra : GIUOCO DELLE COPPIE; ALLEGRETTO SCHERZANDO
      10. Concerto for Orchestra : ELEGIA; ANDANTE NON TROPPO
      11. Concerto for Orchestra : INTERMEZZO INTERROTTO; ALELGRETTO
      12. Concerto for Orchestra : FINALE; PEASANTE - PRESTO
      13. Fetes from ¡ì Trois Nocturnes ¡í (CLAUDE DEBUSSY)

      [European Concert 2004]
      ±×¸®½º ¾ÆÅ×³× Çì·Îµ¥½º ¾ÆƼÄí½º À½¾Ç´ç¿¡¼­ ¿­¸° °ø¿¬À¸·Î º£¸¦¸° ÇÊÀÇ »õ·Î¿î »óÀÓÁöÈÖÀÚ »çÀÌ¸Õ ·¡Æ²ÀÌ ÁöÈÖÇÏ¿´À¸¸ç, ´Ù´Ï¿¤ ¹Ù·»º¸ÀÓÀÌ ÇǾƳ븦 Çù¿¬ÇÏ°í ÀÖ´Ù. ¼ö·Ï°îÀ¸·Î´Â ºê¶÷½º ÇǾƳë ÄÜü¸£Åä 1¹ø, ºê¶÷½º-¼éº£¸£Å©ÀÇ 'ÇǾƳë 4ÁßÁÖ 1¹ø' µîÀÌ ÀÖ´Ù.

      (ÁٰŸ®)
      Piano Concerto No.1 In D Minor, Op.15
      Piano Quartet No.1 In G Minor, Op.25

      [Berliner Philharmoniker in Japan 1994]
      1882³â 5¿ù 1ÀÏ Ã¢¸³µÈ º£¸¦¸° ÇÊÀº ¸Å ÇØ ¿­¸®´Â ÀڽŵéÀÇ Á¤±â ¿¬ÁÖȸ¿Ü¿¡µµ ¼¼°è °¢Áö¿¡¼­ ¼öÁØ ³ôÀº ¿¬ÁַΠûÁßµéÀ» ¸¸³ª°í ÀÖ´Ù. º» ŸÀÌƲÀº 1994³â µµÄì ¾ÆÄ«»çÄ«ÀÇ ±ÇÀ§ÀÖ´Â ¿¬ÁÖ È¦ÀÎ »êÅ丮 Ȧ¿¡¼­ÀÇ °ø¿¬ ½ÇȲÀ̸ç Ŭ¶ó¿ìµð¿À ¾Æ¹Ùµµ(Claudio Abbado)ÀÇ ÁöÈÖ ÇÏ¿¡ ¹«¼Ò¸£±×½ºÅ°, ½ºÆ®¶óºó½ºÅ°, Â÷ÀÌÄÚÇÁ½ºÅ°ÀÇ °îÀ» ¿¬ÁÖÇÑ´Ù.

      (ÁٰŸ®)
      1. MODEST MUSSORGSKY - A NIGHT ON THE BARE MOUNTAIN
      2. IGOR STRAVINSKY - THE FIREBIRD(SUITE, 1919)
      3. PYOTR ILYICH TCHIKOVESKY - SYMPHONY NO. 5 IN E MINOR, OP.64

      REVIEW

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      EXCHANGE

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